We give you the very last episode of the Lundtan <3 eee podcast for this semester! Today’s guests are Jessica Lehmussaari, one of the company relations coordinators, and Alexander Winkle, Sponsoring coordinator of eee2019, teaching you everything you did NOT know about eee. If you already know everything about eee, you should listen anyway – rumors say you can win a Daniel Wellington watch… you do NOT want to miss this!
Lundtan <3 eee 2018- Episode 4
We give you the very last episode of the Lundtan <3 eee podcast for this semester! Today’s guests are Jessica Lehmussaari, one of the company relations coordinators, and Alexander Winkle, Sponsoring coordinator of eee2019, teaching you everything you did NOT know about eee. If you already know everything about eee, you should listen anyway –…

About Nådiga Lundtan
Founded in 1948, Nådiga Lundtan has since been an important part of student life in at Lund School of Economics and Management at Lund University. The magazine covers a wide range of topics related to economics, society, and politics, as well as careers, entrepreneurship, and innovation. It is a platform for students to share their ideas and opinions on economics and related fields.
View more articles

Queuing culture, and the fear of being left behind
All major Swedish cities have universities. All major Swedish cities offer an abundance of pubs, clubs, museums and events. However, not all major Swedish cities expect you to stand in line for 24 hours to get a ticket for Valborg. How come young people flock to town?

The Illusion of Equality in Tennis
Identical trophies and matching prize money at Wimbledon suggest a perfect model of equality, but the symmetry is skin-deep. Beyond the headlines, conditional fairness reveals a sport still shaped by structural gaps and biased media framing.

Behind the Price
Between VIP packages and skyrocketing prizes, the dream of seeing live music is fading for many. As streaming revenues dwindle, artists turn tours into their primary financial engine. Amongst this one vital question remains: has the concert experience shifted from a common joy to an exclusive luxury?



