Lundtan <3 eee 2018- Episode 1

343 days since the last episode, Lundtan and eee are BACK in the studio, once again producing an advent podcast! This year we will discuss four interesting new topics, and you will also have the chance to win fantastic prices in each episode! Today’s guests are the project leaders of eee, Sofia Livman and Jakob…

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343 days since the last episode, Lundtan and eee are BACK in the studio, once again producing an advent podcast! This year we will discuss four interesting new topics, and you will also have the chance to win fantastic prices in each episode!

Today’s guests are the project leaders of eee, Sofia Livman and Jakob Palerius, who are going to give you their best advices in how to be prepared for the eee fair coming up in February.

 

About Nådiga Lundtan

Founded in 1948, Nådiga Lundtan has since been an important part of student life in at Lund School of Economics and Management at Lund University. The magazine covers a wide range of topics related to economics, society, and politics, as well as careers, entrepreneurship, and innovation. It is a platform for students to share their ideas and opinions on economics and related fields.

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  • Queuing culture, and the fear of being left behind 

    All major Swedish cities have universities. All major Swedish cities offer an abundance of pubs, clubs, museums and events. However, not all major Swedish cities expect you to stand in line for 24 hours to get a ticket for Valborg. How come young people flock to town? 

  • The Illusion of Equality in Tennis

    Identical trophies and matching prize money at Wimbledon suggest a perfect model of equality, but the symmetry is skin-deep. Beyond the headlines, conditional fairness reveals a sport still shaped by structural gaps and biased media framing.

  • Behind the Price

    Between VIP packages and skyrocketing prizes, the dream of seeing live music is fading for many. As streaming revenues dwindle, artists turn tours into their primary financial engine. Amongst this one vital question remains: has the concert experience shifted from a common joy to an exclusive luxury?